The idea is simple: a home computer that acts as a kind of dispatcher, translator, and organizer for all your digital devices. A computer that can download and edit data from PDAs, digital cameras, the Web, MP3 players, DVDs, and CDs without the nightmarish struggles over compatibility that have made many users want to hang themselves from the nearest beam with a USB cable. Sony, which manufactures gadgets for almost every digital need, has been preaching this “convergence” for years, hoping consumers will buy Sony, Sony, and more Sony. Apple, which makes a limited number of products (computers, and the iPod MP3 player), launched the new iMac earlier this year by emphasizing a software package that turns its cartoonish-looking desktop into the ultimate digital “hub.” Ladies and gentlemen: In one corner, the Vaio MX computer, operating on Windows XP, costing a hefty $3,400. In the other, the iMac, at a slimmed-down $1,800. If convergence is the promise, which one gets us to the promised land?
THE HUBS WE COMPARED
(Both systems include a built-in 56K modem and Ethernet support.)
|Apple iMac||Sony Vaio PCV-MXS10|
|Processor:||800MHz PowerPC G4||1.7GHz Pentium 4|
|Operating System:||Mac OS X v10.1||Microsoft Windows XP Home Edition|
|Display:||Built-in 15-inch LCD||PCVD-15XD3 15-inch LCD ($600)|
|Additional Hardware:||AirPort wireless network card slot||MiniDisc drive, Memory Stick media slot, Type II PC Card slot|
|Price:||$1,799||$3,400 (including LCD monitor)|
TWO COMPANIES, TWO STRATEGIES
Before we get to the nitty-gritty, consider the big picture. The Zen of Apple dictates that it shall provide you with one beautiful program for a task, and that shall suffice. Sometimes this works brilliantly: The iDVD software for burning home movies to recordable DVD disks is, as Steve Jobs would say, insanely great. The heavily touted iPhoto digital imaging software, on the other hand, organizes pictures nicely but allows only simple touching-up. To get more, you buy more software.
The Sony hub philosophy is to load the MX up with multiple solutions and let you find the one that matches your needs and abilities. Along with the basic Windows XP photo software, for example, Sony provides five additional utilities. These include Adobe Photoshop Elements, a streamlined but still-powerful version of Photoshop. In a perfect world, you’d have one great program that can do it all. In the meantime, there’s the Apple one-song approach versus the more costly Sony jukebox.
With the iMac, you create something cool-a DVD, say-and then carry it somewhere else to enjoy. Sony’s broader view of the digital hub includes serious multimedia playback. The Vaio system includes hefty Sony speakers that perform beautifully, as well as a built-in TV tuner and FM radio tuner, which make it possible to record programs for later playback. The iMac’s wee speakers can’t compare: They vibrate and badly distort any bass-heavy piece of music.
|Listening to Music|
|Inserting a CD brings up the iTunes 2 program, which displays track names and plays Internet radio stations. The built-in equalizer is impressive, but sound quality and volume are limited. There are separate volume-up, volume-down, and mute keys, all clearly labeled on the keyboard. * * * *||Sony’s SonicStage Premium software combines CD, MP3, MiniDisc, Memory Stick, and FM audio functions (though it lacks Internet radio). Sound quality is superb. The remote control is a big plus, even at the desk, because the remote buttons are easier to grab and punch than are mouse and keyboard controls. * * * * *|
|Ripping a CD to Your MP3 Library|
|The iTunes 2 program makes ripping CDs very simple, taking care of track name lookup online via CDDB and then storing the newly created MP3s in your music catalog. * * * *||SonicStage software rips music to Sony’s proprietary Atrac3 format, guaranteed to confuse neophytes. Once you change the setting to MP3, it stays changed, and the results are fine. * * *|
|Loading a Portable MP3 Player with Tunes|
|It’s like two old friends meeting: iPod and iMac communicate and share files seamlessly. The iPod connects via FireWire, so MP3s flew from the computer to the portable at blinding speed. The iTunes program that rips the files also plays them back: convenient. * * * * *||The Vaio has high-speed FireWire ports (called iLink), but FireWire MP3 players for Windows machines were still pending at press time. The eDigital Treo player connected easily via USB, but transferring tracks was more cumbersome than with iTunes. * * *|
Unpacking the Box
I open the iMac and have to laugh. With its cute little round speakers and flat-panel screen attached by flexible arm to a bulbous base, the computer seems to be smiling at me: those cheeky monkeys at Apple! The playful feeling persists as I skim the wordless installation document, then plunk the iMac down on the tabletop. Insert the keyboard, mouse, and phone cables, plug in the power cord, press the On switch-that’s it, we’re running. A Zen-like simplicity to be sure, until I get to the initial software setup routine, and then Big Brother shows up. Turns out that if I don’t enter all my personal information into Apple’s online registration forms, I’m not going anywhere. Yes, there’s a privacy statement, but I don’t think I should have to pony up personal info to use a product I’ve paid for.
On to the Vaio: two boxes, not one (the LCD monitor is a separate purchase), and a cornucopia of cables, wires, manuals, even a remote control with buttons for TV, FM, and DVD. As I work my way through the Getting Started instructions, plugging cables hither and yon, I come to the speaker install: traditional speaker wires with red and black spring clips instead of the usual miniplug jack. And there’s a separate LCD panel on the front of the computer to display media playback information. I think we’re going to have some fun with this rig-a thought that helps get me through a 45-minute setup.
When it comes time to connect digital gear to the hub, both systems do well. Often the devices simply plug right into the computers. The Nikon and Sony digital cameras, for example, are ready to go when I connect the USB cable.
Convergence requires simple ways to get data in and out of the hub. Both systems handle USB and FireWire (also called iLink) connectivity equally well, with one caveat: You will find some devices that don’t offer driver support for both platforms, and it’s usually going to be the iMac that gets left out, so shop carefully. The Vaio system, with its built-in MiniDisc and Memory Stick slots, rewards Sonyphiles. This can be a huge convenience, but means extra expense for those who prefer, for example, CompactFlash cards over Memory Sticks for data transport.
Finally, know that neither computer is complete. You can burn CD copies, but neither has a second CD-ROM drive that enables you to copy disk-to-disk-you have to tediously swap the source disk and the blank back and forth, or transfer the entire disk to your hard drive first and then burn a copy.
|Watching a Movie|
|DVD playback was acceptable, but scan lines running across the picture were noticeable, and fast action sequences weren’t entirely sharp. Movie sound lacked pizzazz. * * *||Impressive video image quality, free of scan lines and artifacts. There’s a one-button brightness switch on the LCD panel. Excellent sound system, handy remote control. * * * *|
|Editing Your Home Movies|
|iMovie software captured footage from the digital camcorder effortlessly. It ran through 40 minutes of footage, automatically breaking it into scenes, without dropping a frame. But adjusting scene length to match the beats of my soundtrack was nearly impossible. * * *||With four different video-editing programs, there’s one to fit anyone’s skill or ambition level. Unlike the iMac, Vaio accepts analog video input from Super8 and Hi8 camcorders (or standard VCRs), and even lets you record from cable or satellite TV. * * * *|
|Making a DVD|
|iDVD is pure pleasure for making a disk. Use the templates, customize them however you please, and enjoy show-off features such as movie-clip buttons and backgrounds and still-image slideshows you can control with your DVD remote. Alas, the system doesn’t support less-costly reusable disks. * * * * *||Once I figured out how to work Sonic Solutions’ DVD-It LE software, the disks I produced came out fine, but getting to that point was bad for my blood pressure. It would have been a lot easier if Sony had popped for the full-featured DVD-It instead of the LE version. At these prices, I deserve the good stuff when it comes to software! * * *|
Time to Play
These are powerful machines with hundreds of features, so how do I know what I’ve got to play with? Here, alas, we come to a key failing of both systems: communicating. Not communicating over wires with other gear, but communicating with the poor dope who bought the box and can’t figure out how to use it. Apple’s User’s Guide booklet gives newcomers a few clues about how the Mac operating system works (it’s the new OS X system), but beyond that, good luck. Vital information is buried in help files, and I do mean buried. How do you search for information about a feature you don’t know exists? Hunting around the hard drive reveals the AOL installer, a game called Otto Matic, the AppleWorks office suite, and more-even the full version of Quicken Deluxe 2002. Should discovering software I’ve paid for require an Easter egg hunt?
Sony tries harder with the printed info (at least there’s a list of installed software), but there are still gaping holes. The most frustrating experience comes when I try to create a DVD disk on the Vaio. I edit two video movies, using two programs, and save the results as digital video (AVI format) files. The DVD burning program rejects both. I then figure the files are in the wrong format. But the help system for the Adobe Premiere video editing software is no help. Ditto the Premiere manual. I try the Microsoft Windows Movie Maker help file: nada. Sony’s two manuals frustrate me. Sony’s Internet support-forget about it. Finally, on the phone, I learn that, with the settings just right, the process works like a charm.
Despite its reputation, I don’t find the Mac OS easier to use than Windows XP. One OS X feature I do love is the Dock, an on-screen panel that keeps your favorite programs and documents just a mouse-click away. Windows XP is much more reliable, and somewhat easier to use, than its predecessors.
|Dialing Up the Internet|
|Assuming you’re not an AOL user who’s stymied by the absence of AOL as a choice during the initial Internet connection setup procedure, establishing a dial-up connection is straightforward. * * * *||Setup is very similar to the Mac experience. The AOL option, though listed, is hard to find. I found the built-in modem finicky when phone line conditions were less than perfect. * * * *|
|Dealing with a PDA|
|The software provided with the Palm m130 (at press time, not yet upgraded for the iMac’s OS X system) worked, but not without hiccups that require rebooting. Installation and syncing is straightforward. * * *||Installing and syncing the Cli was simple. Using Sony’s Memory Stick system means I can drag and drop documents to the stick, then insert the stick into the PDA. You can save video for display on the Cli. * * * *|
|The Mac recognized the Nikon camera without a fuss, but a low-key utility popped up and offered to copy my picture. Where was the famed iPhoto software? Turns out you have to launch iPhoto manually the first time and adjust some settings. From then on, smooth sailing. * * * *||The MemoryStick slot on the MX front panel means you can upload photos without connecting cables or worrying about drivers. Windows XP’s Camera and Scanner Wizard made short work of copying the pictures to a new folder (Sony’s alternative, VisualFlow, was tricky and no better). * * * *|
|Touching Up Photos|
|The iPhoto program handles four basic photo-manipulation capabilities (crop, rotate, red-eye, turn color photos into black and white), but there are no tools for adjusting brightness and contrast or dot-by-dot photo editing. * *||Sony provides a wealth of choices, from basic editing in PictureGear to Adobe Photoshop Elements, which delivers high-level capabilities similar to the pro Photoshop program but with welcome software training wheels. * * * * *|
|iPhoto makes it easy to organize a photo collection, batch by batch, or by a keyword group you assign. Visual browsing lets you see dozens or just a few shots. You can’t search for caption info or the name of the photo file. * * *||PictureGear software lets you slice and dice a photo collection any way you choose, including by file name, file type, date, or keyword. The interface isn’t as elegant as that of iPhoto, but search capabilities are more powerful. * * * *|
The Bottom Line
Both systems deliver on the digital hub claim. If price were no object, which would I rather have in my home? The Sony, because it’s a better-rounded system for the digital content that matters to me. But if I did buy an MX, you can be sure that my wife would never see the credit card receipt: We’re talking about a $1,600 gap here! The new iMac delivers an elegant design and first-rate computing performance at a middle-class price tag (the stripped-down model, sans DVD-recording, goes for $1,299). Despite a Sony exec’s comment that the Vaio is “the ultimate dorm room computer,” theirs is, by contrast, a luxury product. Yet I love the Vaio’s built-in TV tuner and FM radio, and the stereo-system-quality sound makes me happy. Of course, I work out of a home office and don’t have to worry about my old Genesis CDs sending the guy in the next cubicle into a homicidal rage. Money aside, the rub about hubs is that much depends on how you plan to use all that connectivity once you’ve bought it. The good news is that these hubs live up to most of the claims.
Listening to Music
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Ripping a CD to Your MP3 Library
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Loading a Portable MP3 Player with Tunes
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Watching a Movie