Robots R Us

The word "robot" originated almost a century ago. Czech dramatist Karel Capek first used the term in his 1921 play R.U.R. (for "Rossum's Universal Robots"), creating it from the Czech word "robota," meaning obliga-tory work. In the play, he describes the invention of intelligent biomechanical machines intended as servants for their human creators. While lacking charm and goodwill, his robots brought together all the elements of machine intelligence: vision, touch sensitivity, pattern recognition, decision making, world knowledge, fine motor coordination and even a measure of common sense.

Capek intended his intelligent machines to be evil in their perfection, their perfect rationality scornful of human frailty. These robots ultimately rise up against their masters and destroy all humankind, a dystopian notion that has been echoed in much science fiction since.

The specter of machine intelligence enslaving its creators has continued to impress itself on the public consciousness. But more significantly, Capek's robots introduced the idea of the robot as an imitation or substitute for a human being. The idea has been reinforced throughout the 20th century, as androids engaged the popular imagination in fiction and film, from Rosie to C-3PO and the Terminator.
The first generation of modern robots were, however, a far cry from these anthropomorphic visions, and most robot builders have made no attempt to mimic humans. The Unimate, a popular assembly-line robot from the 1960s, was capable only of moving its one arm in several directions and opening and closing its gripper. Today there are more than two million Roomba robots scurrying around performing a task (vacuuming) that used to be done by humans, but they look more like fast turtles than maids. Most robots will continue to be utilitarian devices designed to carry out specific tasks. But when we think of the word "robot," Capek's century-old concept of machines made in our own image still dominates our imagination and inspires our goals.