Researchers have just discovered that gibbons not only compete with our top ranks of singers--they have the technique down pat with almost no effort. How did we find this out? By gassing them with helium and listening in on the results, of course.
Headphones on, everyone. The moaning mouth 'bot is back, this time to sing you a Japanese nursery rhyme. (Freaking you out is a side effect, not the main goal.) Hideyuki Sawada of Kagawa University in Japan brought the mouthbot to Robotech 2011 to demonstrate its new powers. You can watch it below singing "Kagome Kagome," a children's song.
Using breath-analysis software and mouth-movement observations, engineers in Japan have taught a robot how to sing. The divabot, an HRP-4 with a creepily realistic tilting head, blinks and opens her mouth as she croons, even mimicking the facial expressions of the human singer.
Researchers used a real singer as a model, recording her every move as she sang.
A new opera produced by the lab behind Guitar Hero technology includes robotic singers, interactive instruments and a focus on technology that could change the way we experience live performances.
"Death and the Powers," which has been 10 years in the making, premieres later this month in the city-state of Monaco, whose ruler, Prince Albert II, is the project's patron. It's the first royal performance to feature OperaBots.
There's no doubt humans are a musical species, although whether there's a genetic basis for our musicality is still up for debate. A UK team put that question into literal terms Tuesday night in London.
Over the weekend, the New London Chamber Choir offered three performances of "Allele," a 20-minute, 40-part choral work in which the members sing their own genetic codes.