In the world of cinematic science fiction one of the most appealing themes involves a universe brimming over with intelligent life. In this imagined future (or past) humans interact with alien friend and foe because they've at last hammered down the ability to travel to distant stars and galaxies, and, yes, "to boldly go where no man has gone before.” Having grown up on the original Star Trek series, observed the effect of the Star Wars movies on the zeitgeist of movie-going generations and enjoyed sci-fi soap operas like Battlestar Galactica, I have to admit I wish we could make it happen; no matter the odds.

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When we spoke with Peter Segal—director of the upcoming film Get Smart—for our Sci-Tech Summer Movie Guide, he knew straight off that he had to play up the technology in the comedic spy caper. "We knew getting into this that the gadgets are really important," he says. He couldn't tell us about all the tech tools in the film, but there's a clever update of the infamous "cone of silence," and the movie features exploding cuff links and dental floss, plus a tooth radio.

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It’s blockbuster season, and that means mad scientists, angry robots and a certain flexibility with the laws of physics. Here’s our guide to movies made especially with PopSci fans in mind. In it, a roundup of the season's best (and worst) geek candy, along with our “expected gibberish quotient,” so you’ll know which lines are pure comedy—even if no one else is laughing.

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Filming conventional high-speed action fare is hard enough, but to bring the classic cartoon Speed Racer to life, the Wachowski brothers had to contend with 300mph racecars sporting fanciful features like robotic reconnaissance pigeons and wheels that can rotate 180 degrees. With 2,300 visual-effects (VFX) shots—twice as many as last year’s eye-popping 300—it heralds the future of summer-blockbuster fare: The entire movie, aside from the human actors, exists only in a computer.

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Afghanistan. A hidden bunker. Four men with rifles guard a thick, rusted steel door. Bam! A huge fist pounds against it—from inside. Bam! More blows dent the steel. The hinges strain. The guards cower, inching backward. Whatever's trying to break out is big. And angry.

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Spiderman, Batman, the Fantastic Four, Ironman—seems like every time we go to the movies, there's some guy in a unitard saving the world with acts of unnatural physics. We realize that these are works of fantasy, so we don't get too upset when the science portrayed in them comes from some alternative universe.

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